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Lazybones Full Movie In Hindi Free Download

Lazybones Full Movie In Hindi Free Download ->>> http://urllio.com/r0p9x

Original Title: Lazybones

Genge: Action,Comedy,Drama,Romance,War








































Steve Tuttle, the titular lazybones, takes on the responsibility of raising a fatherless girl, causing a scandal in his small town. Many years later, having returned from World War I, he discovers that he loves the grown-up girl.
My first entry in the sudden Borzage/Murnau double-quest I've been thrust into by receiving the behemoth collection that bears their names was this forgotten 1925 melodrama with the title that sounds like a slapstick comedy: Frank Borzage's Lazybones.

The film concerns a dude named Steve (Buck Jones) that just lays around all the time, and his one activity is fishing, which involves him laying around all the time. Needless to say, he has acquired the nickname "Lazybones". He's sweet on a girl named Agnes (Jane Novak), whose evil mother (Emily Fitzroy) forbids her to go with him, and has arranged a marriage for her abroad student daughter Ruth (Zasu Pitts) with "the local Beau Brummel", Elmer Ballister (William Bailey). But while doin' jacksh-t, Steve runs into Ruth upon her return, with an infant and a story: she married a seaman in secret because she knew her mother wouldn't approve, she had a child, and then he went off to sea, never to return. Steve offers to claim he found the baby in the reeds until Ruth's ready to tell her mother, but when Ruth's mother whips her and threatens to send the child away if Ruth tells anyone, Steve ends up keeping her and raising her himself. From there, the film fast-forwards episodically to the child, named Kit (Virginia Marshall, later Madge Bellamy) as a young girl, as a teenager, and as a young woman in 1917, and Steve finally has to do something, and gets shipped off to war.

The film is a fairly dour affair all around, no one is content, no one is satisfied, no one is happy, and it pretty much stays that way. Their one recurring gag, how every single person that enter's Steve's house, from grandmother on down to adopted daughter, runs into the stubborn gate and yells, "Darn that gate!", isn't really that funny, but it's one of the few moments of lightheartedness in the entire piece, and even then, it's used as a heartbreaking mile-marker motif later in the film when he gets sent off to war. Actually, one into the trenches of Europe, the film turns to outright slapstick as through dumb luck, he becomes a national hero.

But the film takes a weird turn once he returns home from the war that made me sort of lose all sympathy for Steve and sort of soured the dramatic weight of the film: he falls in love with his adopted daughter. Despite the fact that he has raised this girl from the time she was still forming kneecaps, and he has been her singular parental guardian, and yet we're supposed to feel sad when he comes back for war and wants to do things that, had they been related, would have been illegal and are taboo to depict, even now? No thanks. I'm glad this collection is mostly Borzage (only two of the twelve films in the collection are from Murnau), because of the two I've seen (this and Moonrise, I've been pretty much underwhelmed.

{Grade: 6/10 (C+) / #6 (of 6) of 1925} Uncommonly fine little rural romance, where the familiar plot contrivances (mother love, war heroics, the "Daddy Long Legs" motif of the benefactor falling in love with his ward) are transcended by sensitive treatment. Borzage was working near the height of his powers, and his restrained handling of the actors and staging of the scenes make this comedy-drama far less dated than most of its contemporaries. He seems to really believe in the material, and so will you. Buck Jones, for most of his career a B-Western star, shows what he can do under a fine director: He has expressive eyes and a tender rapport with the rest of the cast. Also, as with so many Borzage projects, it's beautifully shot. One complaint: It ends rather abruptly and inconclusively (unless I saw an incomplete print). You expect things to come full circle, and they don't.


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